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Brendon Holt

reflections
  • De mysterium
  • 279 acres
  • More home than home
  • Cascadia
  • Blog
  • About
  • Contact

Olympus XA2 + Arista EDU Ultra 400

My wife's Olympus XA2 and a roll of Arista 400

May 26, 2025

So, uh, we now own an Olympus XA2. The meandering road that led to owning the little Olympus began with my forays into the point and shoot camera world with the little half frame H35N that I’ve written about here a few times. But more to the point, it began with my wife’s experience with the H35N. She took to it the first time she shot it and was immediately drawn to the shooting experience of the fixed aperture and shutter speed and the dead simple see-point-click operation that helped her keep from overthinking the process and just stay in the flow of making photos. However, to some degree the very simplicity of the H35N is the very thing that I began to find frustrating about it. The limitations of the H35N become apparent pretty quickly after a couple rolls given the limited conditions in which the fixed aperture and shutter work well and pretty soon I wanted to find something for her that would be more capable across a broader range of conditions. So, the search for a better point and shoot began.

In all honesty I had completely forgotten about the XA lineup of cameras until I began Googling about point and shoots and came across a listicle that mentioned the XA2. I had looked at them fondly in the past, especially the original little XA with the rangefinder and the XA4 with the 28mm. But the XA2 was a eureka moment. It was the same dead simple shooting experience of the H35N but with some important additions. It has a nice Olympus 35/3.5 lens made of real glass elements for pretty capable image quality, but more importantly it has variable aperture and shutter speeds and a built in meter which allows the camera to pick the exposure settings for you! The end result is a surprisingly capable camera that maintains the super simple shooting experience of the best point and shoot. And to top it all off it comes in a package you can fit in a pants pocket. So I jumped on eBay to hunt one down.

I will admit I was a little shocked at the price of these things. Some of these cameras were listed for almost two hundred dollars, which seemed insane for such a tiny antiquated little camera. And models like the XA4 were even more expensive. I guess I shouldn’t be too shocked by this. It seems like every time I look at cameras I haven’t looked for in years they just keep getting more expensive. Have you seen the cost of a Mamiya 7 lately? Anyways, I was able to find an untested model that was still covered by the eBay guarantee and selling for less than half the price of the pricey “MINT TESTED GUARANTEED FUNCTIONAL” style listings. So, I sent the seller my money and waited for the camera.

The afternoon that the camera arrived we loaded a roll of Arista in it and headed off to the woods for a ramble in the forest, as we do. We were both pretty stoked to run a test roll through the camera to see what it was capable of. Our excitement gave way to trepidation when after about the sixth frame the camera suddenly decided it didn’t want to wind any further. I gingerly urged it to wind before hearing the telltale crunch of the sprocket holes ripping. Not wanting to admit defeat I opened the back of the camera and ripped off the exposed frames and tore a hackneyed leader in to the film and loaded the camera again. Thankfully it ran through the next 33 frames beautifully. The film advance was buttery smooth and has been since. I developed the film in Ilfotec HC when I got home and did find that it was pretty severely underexposed, but mostly salvageable. I replaced the batteries and for the second roll I shot half with the camera set to 1/2 the film’s box speed and the second half at box speed. It definitely prefers to be lied to and setting the camera to give you that extra stop of exposure gives you the best results. According to the internet this is not uncommon with the XA2.

One of Jess’s photos from the second roll we shot through the XA2

So far we’ve only put two rolls of film through the XA2 but both times (aside from the film tearing hiccup) it’s been an absolute joy to use, and most importantly my wife has really enjoyed using it. It seems to have basically fulfilled the role I was looking for from a point and shoot camera. It is the best parts of the little H35N and all the upgrades that you need to make it a more useful camera companion without becoming too complicated and annoying. If you’re able to find one for a decent price I’d definitely recommend snagging one.

Below is a little gallery of some wonderful photos from my wife using the little XA2

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Prev / Next
  • May 2025
    • May 28, 2025 Bike Rides and Rodinal May 28, 2025
    • May 26, 2025 My wife's Olympus XA2 and a roll of Arista 400 May 26, 2025
    • May 15, 2025 The Canon 6D, an unexpectedly joyous reunion May 15, 2025
  • April 2025
    • Apr 27, 2025 Some film, the first EOS body, and a 50mm Apr 27, 2025
    • Apr 24, 2025 (Finally) Walking with an old Leica Elmar Apr 24, 2025
    • Apr 23, 2025 Wild West Simulacrum: Vulture City Ghost Town Apr 23, 2025
    • Apr 15, 2025 Delays for Days and iPhonography Apr 15, 2025
    • Apr 12, 2025 New Old Hotness: The Leica Elmar 50/2.8 Apr 12, 2025
    • Apr 8, 2025 A bike and a camera Apr 8, 2025
    • Apr 3, 2025 Half Frame Roll Number Two Apr 3, 2025
  • March 2025
    • Mar 28, 2025 Half Frame Havoc: Some Results and Thoughts Mar 28, 2025
    • Mar 25, 2025 Cheap point and shoots and daily life Mar 25, 2025
    • Mar 20, 2025 "Glory to the Soviets," or, Shooting the Industar on the Leica M (again) Mar 20, 2025
    • Mar 15, 2025 279 Acres, or, On a Photobook Mar 15, 2025
    • Mar 4, 2025 A Late February Stroll on Kentmere 400 Mar 4, 2025
  • February 2025
    • Feb 13, 2025 Another frozen walk, thoughts on 40mm (again...) Feb 13, 2025
    • Feb 12, 2025 One crisp morning in February Feb 12, 2025
    • Feb 9, 2025 February, snowfall, and photographs Feb 9, 2025
    • Feb 2, 2025 In Defense of the Boring 50mm Lens Feb 2, 2025
  • January 2025
    • Jan 26, 2025 A Photographically Unproductive January Jan 26, 2025
    • Jan 4, 2025 Winter finally shows up and I shoot a 50mm again Jan 4, 2025
    • Jan 1, 2025 One Last Walk in 2024 Jan 1, 2025
  • December 2024
    • Dec 27, 2024 Christmas morning, walking, reunited with the TTA 28 Dec 27, 2024
    • Dec 23, 2024 Reminiscence and reflection: summer walking and embracing 28mm Dec 23, 2024
    • Dec 16, 2024 Burnout, loss, and coming back to photography after four years off Dec 16, 2024
    • Dec 7, 2024 Keeping a cattle dog down, a foggy walk, selling the 40mm? Dec 7, 2024
    • Dec 2, 2024 Intimations of Winter, and Aletheia Dec 2, 2024
  • November 2024
    • Nov 17, 2024 The autumn forest, pushing Kentmere 100, and shooting some more 28 Nov 17, 2024
    • Nov 7, 2024 Solace in the sanity of things Nov 7, 2024
    • Nov 2, 2024 Experiments in Color Nov 2, 2024
  • October 2024
    • Oct 21, 2024 Film again, and shooting an SLR Oct 21, 2024
    • Oct 17, 2024 A cold, wet walk and the 40mm Oct 17, 2024
    • Oct 16, 2024 A new lens, some walks, and three days worth of photos Oct 16, 2024
    • Oct 8, 2024 Hell of a view! Or, on shooting 28mm Oct 8, 2024
    • Oct 2, 2024 Brief thoughts on small spaces and intimacy in landscapes Oct 2, 2024
  • September 2024
    • Sep 27, 2024 Wandering Logan Creek and Adjacent Country Sep 27, 2024
    • Sep 26, 2024 A quiet Tuesday morning, my grandpa's old camera, and a roll of Kentmere 100 Sep 26, 2024
    • Sep 23, 2024 Shooting a $50 lens on a $3,000 body. A Soviet classic on the M Typ 262 Sep 23, 2024
    • Sep 20, 2024 A late September walk with an old camera, or, strolling with the Zorki again Sep 20, 2024
  • August 2019
    • Aug 4, 2019 The Zorki 1 Experience: A Semi-Review and Thoughts on Magical Tools Aug 4, 2019
  • July 2019
    • Jul 15, 2019 Lessons from Oskar Barnack: Or, the Story of my Leica IIIa Jul 15, 2019
  • June 2019
    • Jun 30, 2019 A Test: HP5 vs 5D: Or, is the film look bullshit? Jun 30, 2019
  • December 2018
    • Dec 11, 2018 Against the "Good Image" in Favor of Personal Vision Dec 11, 2018
  • November 2018
    • Nov 24, 2018 Why Monochrome? On Ansel and Black and White Nov 24, 2018
    • Nov 18, 2018 Square Photography: On Shaking Things Up Nov 18, 2018
    • Nov 5, 2018 Why photography? A brief reflection on medium Nov 5, 2018